Destino covers Rovsvett. hardcorepunk kangpunk

                                         

                             Destino covers Rovsvett at a practice and It Feels Good motherfuckers

Destino - Divina Inmundizia video . D beat, punk, hardcorepunk, dbeatpunk,colombianpunk,punkmedallo.

                                           DESTINO -  Divina InmundiziA. 

                                          Prácticas en Acústica, Rionegro. Dic. 2013

Reseña
 EN 2009 NACE DESTINO COMO PROYECTO PERSONAL. INVITO A ESTEBAN MESA EN LA BATERÍA Y CON LA AYUDA DE ANDRES NAVARRO (NAVASH RECS) EN SU ESTÚDIO GRABAMOS UN DEMO DE 12 CANCIONES DE MI AUTORÍA QUE SE PUEDEN ESCUCHAR AQUÍ, HTTP://DESTINO-HC.BLOGSPOT.COM/ . EN 2011 ME ENCUÉNTRO EN RIONEGRO CON ALEX LOPEZ EL BAJISTA(MUSICO DE LA UDEA Y BANDAS TRIBUTO) Y CRISTIAN B. BATERIA(KOLAPSO SOCIAL)Y YO JOSEJUAN POSADA EN LOS GRITOS Y LA GUITARRA CREAMOS CON MI EXPERIENCIAS Y COMPOSICIONES LA BANDA DESTINO INFLUÍDA POR VARIOS GÉNEROS MUSICALES Y BANDAS DE SUECIA, ALEMANIA, FINLANDIA, ESPAÑA, US, BRASIL ETC PARA CREAR UNA ALTERNATIVA DIS PUNK, D BEAT HARDCORE PUNK. DESTINO TIENE 18 TEMAS PROPIOS QUE HABLAN DE LAS EXPRIENCIAS HUMANAS Y ANTROPOLOGICAS DESDE NUESTROS PUNTOS DE VISTA CON EL FIN DE LIBERAR MENTES, ACOMPAÑAR CUERPOS, ALEGRAR CORAZONES, DESPERTAR CONCIENCIAS Y AMPLIAR PERSPECTIVAS.

Historia y Contexto
Para sobrevivir al Medellin de los 80s y su guerra contra el narcoterrorismo y la Juventúd, transformar la experiencia de acostumbrarse a esa violencia y de perder a más de 30 amigos en una manifestación contracultural se vuelve una necesidad. Al tiempo que estúdio Antropologia en la UdeA y fundo y/o soy la guitarra en IRA - Dexkoncierto, camíno por las calles de esa ciudad donde encuentro otras tribus Punk Hardcore y nos tomamos las esquinas y parques para hacer rúido musical y estético como catarsis a la violencia de la época.
En el 96, me voy a la USA dónde también hago un par de proyectos Punk ( UFC, LOS HUMANIAX) que particípan en festivales tan conocidos como el Hollydays in the Sun, el Beer Olympics y el Food not Bombs y se presentan continuamente en lugares conocidos como el CBGBs y Coney Island High en NY, the Poor House Orlando, the Tavern 213 in F Lauderdale y la que sería mi casa por 10 años, Cuchills Pub en Miami.
En el 2009 de regréso a Medellin con un monton de rúido en mi cabeza nace DESTINO como proyecto personal; invito a Esteban Mesa en la batería y con la ayuda de Andres Navarro en su estúdio(Navash Recs) grabamos un demo de 12 canciones de mi autoría que se pueden escuchar aquí, http://destino-hc.blogspot.com/ . En 2011 me encuéntro en Rionegro con Alex Lopez el bajista(Musico de la UdeA, guitarra en tributo a Plasmatics)que conocí en un bar de centro de Medellin  y a Cristian B. Bateria(Kolapso Social, Guillotina)y conmigo JoseJuan Posada en los gritos y la guitarra creamos con mi experiencias y composiciones la banda DESTINO influída por varios géneros musicales y bandas de Suecia, Alemania, Finlandia, España, US, Inglaterra, Brasil etc para crear una alternativa Dis Punk, D Beat Hardcore Punk, poco conocida en la escena de Medellin.
Hoy con pocas e importantes presentaciones como el Festival Gato Negro en el Cementério de San Lorenzo, en Yage bar y Ciudad Frecuencia en Castilla, Bar en Calle en Aranjuez, y en un par de bares en Rionegro, DESTINO cuenta con 18 temas propios que hablan de las expriencias humanas y antropologicas desde nuestros puntos de vista con el fin de liberar mentes, acompañar cuerpos, alegrar corazones, despertar conciencias y ampliar perspectivas.

ASTAROTH Guerra de Metal Medellin UltraMetal 1985

Alejandro Posada - Lale - Voz, Bajo

Mana - Bateria

Memo - Guitarra

Jose R - Guitarra

Bajo Tierra En la Fila

UFC Mi otra banda en Miami

ASTAROTH Aullido Sepulcral

Los HUMANIAX Paranoid Society

ASTAROTH - Aullido Sepulcral

Corre Sangre Los Humaniax 2003

DESTINO: DESTINO DBEAT PUNK Souncloud widget

DESTINO: DESTINO DBEAT PUNK Souncloud widget

Bajo Tierra 1990

BAJO TIERRA 1990 Sala X

Alejandro Posada- Bajo

Lucas Guingue-Guitarra

Papocho- guitarra

Nicolaz- Voz

Ceasr-Bateria

....-Saxo

....-Teclados.

DESTINO BIO

translation

DESTINO  bio

The 80's were going by and the moral aspects in society no refer to only religion but generally the wright and wrong things, started to change radically. Colombian closed mind, conservative and catholic classicist society opened up to allow the new rich people known as Drug Lords to dig into. They bought the expensive places and huge farms the high class people offered and they melt into a new class of people. Violence, Impunity a drug money became a part of Colombian life and was accepted somehow.

I was a 15- 16 years old middle class teen age who used to hang out in the streets with my friends. All these changes affected the way we all believe was the way to grew up. Watching drug lords and their Sicarios, 16 years old hit men, buying expensive cars, apartments, dating hot ladies and even breaking the law or killing people and getting away with it without any punishment from the law or justice hit my generation's point of view.

Our hardworking fathers and relatives became nobody for they couldn't afford or made any of what the new rich people did. Violence becomes a way of life and tones of the teenagers groups evolved as gangsters in middle class neighborhoods. Things got lot uglier in the low-income people hoods or ghettos or better known as "comunas".

My bodies started to carry guns and they sold out to become by all means one of the new rich people that society was looking up as models. They all got killed. Meanwhile I walked down the streets trying to find a way to release all the anger that was raising in me. I met other people from all around the city with similar feelings.  I survived the narcoterrorist war walking down the streets, writing songs of what I saw and lived and making and underground Hardcore Punk scene in Medellin. 30 of my closed friends were killed between 89-93.

I founded and wrote lots of the famous songs in Colombian Punk band IRA. I played and still do play the guitar and co write songs with my long time friend Carlos R. -Volketo- for legendary Medellin Hardcore gem DEXKONCIERTO.

Fall of 96 I moved to Miami. I played the guitar and wrote some of its songs when playing for Miami's Drunk Punks bastards UFC for 8 years.

I founded and write the songs with my bodies Glen roach Larsen and Bruno S. for the greatest one of a kind Hardcore band, Los HUMANIAX. Valentina's sweet powerful voice and great support joint us later.

Also, I made an Anthropologist documentary about Hardcore Punks in Medellin s narcoterrorist war years. Mas alla del No Futuro. Experiences and points of view collection of some survivors of the scary times between 85-93.

When my two Americans bands disbanded for many reasons everything started to go to hell. Then the Bush economic and administrative malicious disaster hit me hard and left me down the hill. My wife and I own interior design company broke and we lost our apartment as well as our car and the warehouse and shit. I decided to go to live in the Forrest in a small town close by Medellin in Colombia but my wife stayed in the states. We got into a painful divorced later on.

I started to do what I used to do before I left to the States. I mean going to shows, I went to every show I could be at, at every corner in the city, hang out with my old friends at any of the small Parks or any Bar or any Ezquina de Barrio around it.  Figth Nazi punks, taking a look over the situation with Paramilitares now called Bacrim or the new lords on the streets, making friends and having fun. Working with my Family business was first but I had time for walking down the streets watching the now huge and different Punks scenes in Medellin.

I started writing new songs and finishing some songs I had started in Miami. 3 some years later I finally finished writing all the lyrics and music and made this new projekt, DESTINO, a D beat Hardcore beautiful noise with intelligent lyrics as I like to believe.

During that time I met this guy, the bartender of a small little bar located in one of the small parks in downtown I used to hangout at nights back in the days. I now call this park El Infierno, because it’s agitated and convulsed atmosphere. The drug lords literally own the place and only the people who buy from them are allowed to stay there without any threat. The rest of the people from the different urban tribes, the ones who had conquered the park in the 90s are now at their own risk. Several have been killed in total impunity, no prosecution from the cops whatsoever.

The bartender used to play 80s thrash metal and Grind core at the bar and Punks and metal heads used to have a couple of beers. I found out that Alex the bartender was a great musician and invited him to play. 6 month later after trying some drummers without any luck, they were to busy or some shit else, we went different paths. I had a baby with my new wife and Alex had to stop working at the bar and he just disappears.

Esteban Mesa, DEXKONCIERTO and Los Desempleados drummer, Joint me playing the drums as I played all the Strings and Shouted the fuck out of me to record this job with the super Help from my Friend Andres Navarro  (Fechoria) doing all the engineering and mastering at Navash records.

Some time after recording I met with Alex again in Rionegro a small city one-hour driving next to Medellin. We called Cristian the drummer of Kolapso Social and we started to practice to be a real band.

Today DESTINO is:

Alex Lopez - Bass-Chorus

Cristian Murillo - Drums- Chorus

Jose Juan Posada - Guitar and Voice.

DESTINO - Energia-Sangre-Ruido - Colombian DBeat Hardcore Punk video

DESTINO CEMENTERIO San Lorenzo.

Festival Hardcore Punk Gato Negro

DESTINO, Colombian Dbeat Hardcore Punk store widget and Bio.

DESTINO  bio

The 80's were going by and the moral aspects in society no refer to only religion but generally the wright and wrong things, started to change radically. Colombian closed mind, conservative and catholic classicist society opened up to allow the new rich people known as Drug Lords to dig into. They bought the expensive places and huge farms the high class people offered and they melt into a new class of people. Violence, Impunity and drug money became a part of Colombian life and was accepted somehow.

I was a 15- 16 years old middle class teen age who used to hang out in the streets with my friends. All these changes affected the way we all believe was the way to grew up. Watching drug lords and their Sicarios, 16 years old hit men, buying expensive cars, apartments, dating hot ladies and even breaking the law or killing people and getting away with it without any punishment from the law or justice hit my generation's point of view.

Our hardworking fathers and relatives became nobody for they couldn't afford or made any of what the new rich people did. Violence becomes a way of life and tones of the teenagers groups evolved as gangsters in middle class neighborhoods. Things got lot uglier in the low-income people hoods or ghettos or better known as "comunas".

My bodies started to carry guns and they sold out to become by all means one of the new rich people that society was looking up as models. They all got killed. Meanwhile I walked down the streets trying to find a way to release all the anger that was raising in me. I met other people from all around the city with similar feelings.  I survived the narcoterrorist war walking down the streets, writing songs of what I saw and lived and making and underground Hardcore Punk scene in Medellin. 30 of my closed friends were killed between 89-93.

I founded and wrote lots of the famous songs in Colombian Punk band IRA. I played and still do play the guitar and co write songs with my long time friend Carlos R. -Volketo- for legendary Medellin Hardcore gem DEXKONCIERTO.

Fall of 96 I moved to Miami. I played the guitar and wrote some of its songs when playing for Miami's Drunk Punks bastards UFC for 8 years.

I founded and write the songs with my bodies Glen roach Larsen and Bruno S. for the greatest one of a kind Hardcore band, Los HUMANIAX. Valentina's sweet powerful voice and great support joint us later.

Also, I made an Anthropologist documentary about Hardcore Punks in Medellin s narcoterrorist war years. Mas alla del No Futuro. Experiences and points of view collection of some survivors of the scary times between 85-93.

When my two Americans bands disbanded for many reasons everything started to go to hell. Then the Bush economic and administrative malicious disaster hit me hard and left me down the hill. My wife and I own interior design company broke and we lost our apartment as well as our car and the warehouse and shit. I decided to go to live in the Forrest in a small town close by Medellin in Colombia but my wife stayed in the states. We got into a painful divorced later on.

I started to do what I used to do before I left to the States. I mean going to shows, I went to every show I could be at, at every corner in the city, hang out with my old friends at any of the small Parks or any Bar or any Ezquina de Barrio around it.  Figth Nazi punks, taking a look over the situation with Paramilitares now called Bacrim or the new lords on the streets, making friends and having fun. Working with my Family business was first but I had time for walking down the streets watching the now huge and different Punks scenes in Medellin.

I started writing new songs and finishing some songs I had started in Miami. 3 some years later I finally finished writing all the lyrics and music and made this new projekt, DESTINO, a D beat Hardcore beautiful noise with intelligent lyrics as I like to believe.

During that time I met this guy, the bartender of a small little bar located in one of the small parks in downtown I used to hangout at nights back in the days. I now call this park El Infierno, because it’s agitated and convulsed atmosphere. The drug lords literally own the place and only the people who buy from them are allowed to stay there without any threat. The rest of the people from the different urban tribes, the ones who had conquered the park in the 90s are now at their own risk. Several have been killed in total impunity, no prosecution from the cops whatsoever.

The bartender used to play 80s thrash metal and Grind core at the bar and Punks and metal heads used to have a couple of beers. I found out that Alex the bartender was a great musician and invited him to play. 6 month later after trying some drummers without any luck, they were to busy or some shit else, we went different paths. I had a baby with my new wife and Alex had to stop working at the bar and he just disappears.

Esteban Mesa, DEXKONCIERTO and Los Desempleados drummer, Joint me playing the drums as I played all the Strings and Shouted the fuck out of me to record this job with the super Help from my Friend Andres Navarro  (Fechoria) doing all the engineering and mastering at Navash records.

Some time after recording I met with Alex again in Rionegro a small city one-hour driving next to Medellin. We called Cristian the drummer of Kolapso Social and we started to practice to be a real band.

Today DESTINO is:

Alex Lopez - Bass-Chorus

Cristian Murillo - Drums- Chorus

Jose Juan Posada - Guitar and Voice.

LOS HUMANIAX

Ok This is one of a kind Hardcore Punk band from Miami. In the Latino- Colombians an Americans Melting hotter Potttttttt.  Glen and Bruno joint me to develop some ideas I had.  We got toguether toensamble our talents and Energy in this Beautiful Noise back in 1999. Valentinas sweet powerful voice and great support joint us later.

Enjoy it motherfuckers...

Los HUMANIAX :

Valentina H

Glenn Rouch Larsen

Bruno Sposito

Jose Juan Posada

UFC S. Florida Drunx Punx Miami Churchills 2003

Dexkoncierto

translation

Ahora a la venta DEXKONCIERTO Lp en Vynilo

26 tracks del mas crudo sonido de las calles del Medellin de 80s y 90s.

100% Hardcore Punk.

Dexkoncierto now Vinyl

Dexkoncierto music store widget

80sCOLOMBIAS TRASH HARDCORE 

DEXKONCIERTO bio

 Dexkoncierto nacio en un barrio de clase baja, por Mauricio el primer guitarro y fundador que dio el nombre originario, y el estilo característico que siempre a acompañado a la banda por su singular ruido y crudo sonido ; por ese entonces solo eran Mauro guitarra y Esteban en los tarros y escriben FUTURO ES MUERTE que Víctor Gaviria incluye en la banda sonora de la película “Rodrigo D No Futuro” ,con Sergio -NO- en la voz y Volketo –PODRIDOX-, en el bajo luego Sergio deja la banda y Volketo pasa a Gritar y Naranjo entra a tocar el bajo. Hasta el noventa solo con grabaciones caseras y de un sonido muy casero en el cuales quedan la mayoría de sus tradicionales canciones que se vuelven himnos con los cuales los punx enfrentan a una sociedad que se entregaba al poder de la corrupción narco política y a una guerra narcoterrorista donde los punx parecieron ser de las victimas favoritas de los escuadrones de la muerte. En el noventa graban en un compilado hecho por JuanBer la Ciudad Podrida, y Mauricio decide dejar la banda para seguir con -BSN. Dexkoncierto sigue sin Mauricio y graban el autonomía, una grabación casera , sin bajo , naranjo sigue en la guitarra ,haste que José Juan -IRA- entra tocar la guitarra a finales del 90 y la banda sigue así hasta el 92 cuando Esteban deja la banda la yola -FERTIL MISERIA- entra a colaborar en la batería por un tiempo hasta que a finales del 93 Volketo es apuñalado casi mortalmente en las calles de la ciudad. Su prolongada estadía en el Hospital, mas las insostenibles y desconectadas consecuencias del abuso de drogas psicotrópicas por parte de los otros integrantes, ponen al Dexkoncierto en un limbo katartiko que la realidad alimentaría por los siguientes años en un silencio insoportable Cada uno toma su rumbo.......al final del 99, Naranjo y Esteban deciden recuperar la música de Dexkoncierto y en un pequeño estudio de Naranjo: MODULO X 21 proponen a Mauricio y José Juan quien vive en el exterior que cada uno grabara sus temas en guitarra y Naranjo en el bajo y Esteban los tarros, hasta ese entonces Volketo no le interesaba grabar de nuevo con los dexkoncierto por diferencias personales y dejan la música grabada. Se pensó en que algunos amigos cantaran todos en coro..pero nada paso por que dexkoncierto sin la voz de Volketo no era dexkoncierto. al año Volketo decide grabar y sacan el demo..” futuro es muerte y aun seguimos vivos. La banda se vuelve a encontrar para dar un concierto con ira y rechazo el cual fue parado por la policía por los disturbios callejeros mientras la banda tocaba. Luego la banda vuelve al cajón y se juntan para tocar en algún parche callejero. En 2005 José Juan decide producir un buen proyecto en asociación con el sello indi:” Rob the Rich Rekords”, quienes se toman hasta Diciembre del 2005 para empezar la grabación. Se planea hacer tokes promocionales del CD y compartir el Dexkoncierto y la energia de un sentimiento que a muchos nos salvo la vida.

PUNK LEGENDS
u$ 10.00 plus shipping:


1 and up to 7 items same price shipping (mismo precio envio)


u$   3.00   America
u$ 15.00 Europe
u$ 18.00 Japan

Jose J Posada's "Mas alla del No Futuro"

translation

Jose J. posada's "Mas alla del No Futuro" 80s-90's  Medellin-Colombia-Punk Documentary

u$ 12.00 plus shipping 1 and up to 7 items same price shipping(de 1 a 7 dvds mismo precio envio)
                 u$   3.00 America
               u$  15.00 Europe
       u$  18 Japan

The Punk scene raised up at early 80’s with a few ones who knew there was a way to manifest all the inconformity the youngest used to live with in a changing values society.  The social inequity and the concentration of property was becoming at large and political corruption to keep the unfair situation “democratic” was in charge.

The Narcs (mafia) came into society and started living in the same places, clubs, big farms etc, etc and political party too, society and power cartels living together and having business. Not that I’m moralist but Narcs money, the “fast cash” culture corrupted the minds of many politicians, businessman, military people, etc, etc and the minds of the youngest too. 

  By 83-84 the city was divided in “comunas” according to its economical power with neighborhoods controlled by different gangs. It was normal that you were a member of your neighborhoods gang and had to fight with other gangs around your hood. As it happened in cities like New York, Los Angeles etc .  The difference in Medellin- Colombia was the “easy money or fast cash culture” from the Cartel money corrupted the whole values of society.

 Guerrilla’s ideas got corrupted with the drug money too.

 The money from the Cartels started to fuel this hood gangs into private armies when the confrontation started between the different Cartels and the State. The unbalanced equity in society and the very few opportunities for poor people to access education and the shits made the perfect atmosphere for the young generations to go and work for the Cartels as “Sicarios” (hitmen) basically.

  So there we go.

In that chaotic situation a few ones started to go out of their hoods and gangs and they went for the music as a weapon. Contacting people from other hoods and making a fucking scene out of nothing with no musical knowledge and no equipments. They started trading records and making the first sounds of the local HardcorePunk scene in Medellin. Bands like Mutantes, NN, Los Podridos, NO, Las Pichurrias, Las pestes, P-nes, Imagen…, There was a tape comp “Medallo Punk” grouping this bands. All time Punk activist  G. Oquendo upgraded this tape comp into a  3 cd pack compilation before he died.

 Victor Gaviria’s ”Rodrigo D No Futuro” movie film, showing or trying to show these complex reality was shot in the days with Punk members and Punk music recorded within.

 Hardcore bands continued to raised from the very violent ambience that the city was going thru. The kids left their hood and gangs and went out side in the city looking for people having the same interests.  Fredy Rodas, from Imagen and NN, Started to joint bands and people together in order to make a scene without fights with in. It was enough of violence going on and no need to do it within the scene, so He founded OREC that stands for Chain reaction force kind of, because we decide to stud up against any threat.

Needles to say that it was a 1000% D.I.Y. Scene with no musical talent, musical equipments, places to practice or places to play venues regularly.

 Narcoterrorist war bloom strong in 89 and massacres and car bombs were common in the days. It was very fucking dangerous just to be out in the streets after 9:00 pm.

 Lots of the youth die in those days, including many punks.  I lost 30 of my gang members back then, and still hurt.

 As the youth working for the Cartel was placing car bombs and shooting police officers, so the Government started with the dirty war too. The indiscriminate massacres where all over the city. More than 3000 young die from a bullet between 89-91.

The Scene was made out in the streets, walking from side to side looking for people and bands with the same interest and needs.

 Being a Hardcore Punk was almost as a suicide when the youth became the target in the Narcoterrorist war.  Looking different made a target of you.

 Tomas Cipriano (ex Parabellum, HPHC, Libra) reunited some of these days bands in

12 inch comp. “ La Ciudad Podrida”  bands like Dexkoncierto, Crimen Impune, BSN, and others. At the same time IRA, Imagen, Rasix and Sociedad violenta cut their first 7-inch and La Pestilencia recorded a whole Lp.

In the 90s the violent situation couldn’t stop the Hardcore scene from making more bands and noise. Even thought there were no places to play shows, the scene survived this years playing their shows clandestinely. The Punk house(my house, hehehehe) and Victor Gavirias studio, Tiempos Modernos and Public Universidad de Antioquia, were the only places for making shows and that was  a lot to say. You could cut the air with a knife, fear in the ambience was dense and it was common to see gangs of sicarios or even secret police officers shooting massacres in the streets while the Hardcore Punkx hanging out from dusk till down witnessing the whole fucking shit.

Bands like Dexkoncierto, BSN, IRA, Fertil Miseria, Herpes, Ataque de Sonido, HPHC, Dezadaptadoz, Diskordia, Anti-Todo, Averxion, Kept the scene going with their recordings and having few shows until the end of the violent era in 92.

Things started to be easyer after 93. An Alternative wave took place in the new generation and society became more open minded. Hardcore punk bands started to be accepted in bars and the media stopped attacking and became open to them by 96.

Even though I feel something is missing in todays the scene is huge now days with lots of bands, venues and people floating around looking punks or so and a whole new path an alternative was open for young generations to live and walk thru.

I try to show this entire pathway in my documentary ”Mas alla del No Futuro”.

Jose J. Posada

Antropologo, Independent Filmaker and Musician in bands like:

Dexkoncierto-UFC-Los Humaniax-.

Co-Founder, writer, guitarist, Producer  and robbed and ripped in IRA.

Check my new project DESTINO :

www.myspace.com/destino.hc

www.myspace.com/josejuan

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